Artworks Catalogue

Vienna, St Augustine, organ, left angel with trumpet and putto (photo by Julia Strobl, 2018)
Vienna, St Augustine, organ, right angel with timpani (photo by Julia Strobl, 2018)
Vienna, St Augustine, organ (photo by Julia Strobl, 2018)

Location

Austria, Vienna

Monastery and Parish Church of St Augustine (Augustinerkirche)

Original location:

Austria, Vienna

Benedictine Abbey Church of Our Lady of Monteserrato (Schwarzspanierkirche)

Artwork

Angels from the Organ of the former Schwarzspanierkirche in Vienna

Type

Organ case

Critical History

According to Lippert, his earliest biographer in 1772, Johann Baptist Straub made the decorations for the Abbey Church of Our Lady of Monteserrato in Vienna, from 1730 on.1 The commission was finished not later than winter 1734/5, when Straub returned to Munich. Thus the three remaining angels from the former Hencke-Organ of the Schwarzspanierkirche can be dated between 1730–1734. The consecration of the church took place in 1739. During the Dissolution of the Monasteries under Emperor Joseph II. in 1784, the former Abbey Church of Our Lady of Monteserrato was profaned, the furniture and altars dispersed. The decoration of the organ loft was brought to St Augustine.2

Woeckel tried to attribute a wooden bozzetto (formerly in a private collection, now probably in the Stuttgart Landesmuseum) to Straub's Viennese organ angels but failed to convince.3 Neither the provenance nor the stlystic attribution are reasonable. The highly-agitated drapery and movement of the angels show closeness to Johann Baptist Straub's angels from the organ in Dießen (1738–1740). A comparison with the organ decoration in Birkfeld in Styria (1765) by his younger brother Philipp Jakob shows a direct takeover of the Viennese composition, but with a subdued expression of the figures. Philipp Jakob probably worked together with Johann Baptist in Vienna before he left for Graz in 1733.

Construction / Execution

The organ loft was built into the westwork of the Gothic nave by the court architect Hetzendorf von Hohenberg in 1784, after the new main gate had been built on personal order of Emperor Joseph II.4 For the neo-Gothic organ case Hohenberg reused parts of the Hencke organ from the Schwarzspanierkirche including the figural decoration by Straub. The orginal polychromy of the organ case in reseda green was recoloured in white, the figures partly gilded.5

Components

Sculpture
Author: Johann Baptist Straub (Wiesensteig ca. 1704 – Munich 1784)
Completed: ca. 1730 – ca. 1734
Patron(s): Anton Vogl von Krallern, abbot
Technique(s): wood carving
Material(s): wood
Polychromy
Completed: ca. 1730 – ca. 1739
Patron(s): Anton Vogl von Krallern, abbot
Polychromy
First Repolychromy
Completed: ca. 1784 – ca. 1785
Technique(s): polished white, water gilding
Material(s): gold leaf

Comment

During World War II St Augustine's Church was hit by a bomb and the organ was heavily damaged; in 1976 a new instrument was built into the historic organ case by organ makers Rieger, Schwarzach6.

Images

  1. Vienna, St Augustine, organ, left angel with trumpet and putto (photo by Julia Strobl, 2018)
  2. Vienna, St Augustine, organ, right angel with timpani (photo by Julia Strobl, 2018)
  3. Vienna, St Augustine, organ (photo by Julia Strobl, 2018)

Catalogue entry prepared by Julia Strobl

Recommended citation: Julia Strobl, Angels from the Organ of the former Schwarzspanierkirche in Vienna, in: TrArS – Tracing the Art of the Straub Family, 2018, (accessed 25/10/2025) URL

Sources and Bibliography

  1. Johann Caspar Lippert, Kurzgefaßte Nachricht von dem churbaierischen ersten Hofbildhauer Herrn Johannes Straub, in: Augsburgisches monatliches Kunstblatt. Kunstzeitung der kaiserlichen Akademie zu Augsburg, 1772, Nr. 54f
  2. Cölestin Wolfsgruber, Die Hofkirche zu S. Augustin in Wien, Augsburg, Dr. Max Huttler & Cie, 1888
  3. Hans Tietze, Wiener Gotik im 18. Jahrhundert (reprint of: Kunstgeschichtliches Jahrbuch der k. k. Zentral-Kommission, 1909), Vienna, 1910, 163-186
  4. Gerhard P. Woeckel, Ein in Wien entstandenes Frühwerk Johann Baptist Straubs: die aus der Schwarzspanierklosterkirche St. Mariä stammende Kanzel in der Pfarrkirche in Laxenburg/NÖ, in: Alte und moderne Kunst, 18/130, 1973, 16–26
  5. Peter Steiner, Johann Baptist Straub (Münchner kunsthistorische Abhandlungen, VI), München und Zürich, Verlag Schnell & Steiner, 1974
  6. Die neue Orgel zu St. Augustin in Wien, Parish St. Augustine (ed.), Vienna, 1976
  7. Peter Volk, Johann Baptist Straub 1704–1784, München, Hirmer Verlag, 1984
  8. Bayerische Rokokoplastik. Vom Entwurf zur Ausführung (exhibition catalogue, Bayerisches Nationalmuseum, Munich 1985), Peter Volk (ed.), Munich , Verlag Schnell & Steiner, 1985
  9. University of Vienna, Julia Strobl, Die Wiener Schwarzspanierkirche und ihre barocke Ausstattung, Master’s Thesis, Vienna, 2016

Notes

1 Johann Caspar Lippert, 1772, 54–56.

2 Parish St. Augustine, Pfarrprotokoll 212, cit. Tietze 1910, 176. - Rapf, 1966, 58–59; Gerhard P. Woeckel, 1973, 16–18; Peter Steiner, 1974, 35–36; Peter Volk, 1984, 204; Julia Strobl, 2016, 151–152.

3 Gerhard P. Woeckel, 1975, 97, fig. 84; Peter Volk, 1985, 161–162.

4 According to Wolfsgruber on 27th of May 1784 the parish priest Canal wrote to Wenzel Anton Prince Kaunitz-Rietberg, responsible for court buildings and requested the “beautiful organ” for his church. On 24th of June Princess Kaunitz visited the church and conveyed the personal approval of the emperor. Parish St. Augustine, Pfarrprotokoll 167, cit. Cölestin Wolfsgruber, 1888, 25.

5 Die neue Orgel, 1976.

6 Die neue Orgel, 1976.