Artworks Catalogue

The large Holy Cross side altar in the Monastery Church of St Dionysius and St Juliana in Schäftlarn (Bavarian State Department of Monuments and Sites, photo by Michael Forstner, 2017 )

Location

Germany, Bavaria, Schäftlarn

Monastery Church of St Dionysius and St Juliana (Klosterkirche St. Dionys und St Juliana)

Monastery of the Benedictins Schäftlarn

Artwork

Large Holy Cross Side Altar in the Monastery Church of St Dionysius and St Juliana in Schäftlarn

Type

Side altar

Dimensions

Height: 1090 cm, width: 520 cm

Critical History

There are four small side altars and two large side altars. These are the Rosary- or Ladies altar and the Holy Cross altar.

The Holy Cross altar is equipped with the canvas painting by B. A. Albrecht showing Jesus Christ on the Cross. The sculptures of St Longinus and the God Thief stand on both sides of the painting. A glass shrine with the relic of St Adrian is presented above the mensa. 1

Construction / Execution

The architecture of the altars is made of wood and has a polychrome layer(marbling).

Components

Carpentry
Completed: 1756 – 1765
Technique(s): sawing, wood carving
Material(s): wood
Sculpture
Author: Johann Baptist Straub (Wiesensteig ca. 1704 – Munich 1784)
Completed: 1756 – 1765
Technique(s): wood carving
Material(s): wood
Polychromy
Author: Aloys Thurner
Completed: 1776 – 1780
Technique(s): oily tempera, polished white, water gilding
Material(s): gold leaf, lead white

Conservation-restoration

1880

Approach to the presentation of losses

Repolychroming: partial

Treatment Description

In 1880, "Johan Georg Huber" overpainted the architecture. The white monochrome painting layer of the sculptures was overpainted white and polished. The gilded areas were kept.

1924

Treatment Description

In 1924, the Radspieler company from Munich repaired small areas.

1954

Strategy: removing one or several historic repolychromies, removing varnish

Treatment Description

In 1954, the marbling from 1880 on the architecture was removed together with the original lacquer. The poliment gilding on the large side altars was partially replaced by a new one. The sculptures were overpainted with a monochrome white layer and polished. On the original marbling, a new varnish (resin) and wax were applied.

2008–2010

Treatment Description

From 2008 to 2010 the Fromm Company, Parsberg restored all the polychromed furnishings. The concept was to preserve as far as possible the historical condition. The painting layers were consolidated, the surface was cleaned, inconvenient overpaintings were removed. Some areas closer to the spectator were overpainted (e. g. polished white). In some areas the wood had to be consolidated. Lackings were filled and retouched. The original lacquer on the marbling was reconstructed.

Images

  1. The large Holy Cross side altar in the Monastery Church of St Dionysius and St Juliana in Schäftlarn (Bavarian State Department of Monuments and Sites, photo by Michael Forstner, 2017 )

Catalogue entry prepared by Rupert Karbacher

Recommended citation: Rupert Karbacher, Large Holy Cross Side Altar in the Monastery Church of St Dionysius and St Juliana in Schäftlarn, in: TrArS – Tracing the Art of the Straub Family, 2018, (accessed 26/10/2025) URL

Sources and Bibliography

  1. Johann Caspar Lippert, Kurzgefaßte Nachricht von dem churbaierischen ersten Hofbildhauer Herrn Johannes Straub, in: Augsburgisches monatliches Kunstblatt. Kunstzeitung der kaiserlichen Akademie zu Augsburg, 1772, Nr. 54f
  2. Norbert Lieb, Johann Baptist Straub, in: Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart, 32, Ulrich Thieme, Felix Becker, Hans Vollmer (ed.), Leipzig, 1938, 162–167
  3. Peter Steiner, Johann Baptist Straub (Münchner kunsthistorische Abhandlungen, VI), München und Zürich, Verlag Schnell & Steiner, 1974
  4. Peter Volk, Johann Baptist Straub 1704–1784, München, Hirmer Verlag, 1984
  5. Roland Götz, Leib und Seele, catalogue for the exhibition in Kunsthalle der Hypo-Kulturstiftung, München, Sieveking, 2014

Notes

1 Caspar Lippert 1772, p. 62

2 Peter Volk 1984, p. 202