Artworks Catalogue

The highaltar of St Georg in the former parishchurch St Georg, Munich-Bogenhausen photo Bavarian Office of Monuments and Sites Michael Forstner 08.2017
The highaltar of St Georg in the former parishchurch St Georg, Munich-Bogenhausen photo Bavarian Office of Monuments and Sites Michael Forstner 08.2017
The sculpture of St Donatus at the highaltar of St Georg in the former parishchurch St Georg, Munich-Bogenhausen photo Bavarian Office of Monuments and Sites Michael  Forstner 08.2017
The sculpture of St Irene at the highaltar of St Georg in the former parishchurch St Georg, Munich-Bogenhausen photo Bavarian Office of Monuments and Sites Michael  Forstner 08.2017

Location

Germany, Bavaria, Munich

Former Parish Church of St George (ehem. Pfarrkirche St. Georg)

Catholic parish of Heilig Blut Munich

Artwork

High Altar in the Former Parish Church of St George in Munich-Bogenhausen

Type

High altar

Critical History

J. B. Straub created the high altar with St Georg riding on a horse and killing the dragon between 1770 and 1773. He signed the contract of Duke August von Törring-Jettenbach whose property "Köglhof " was nearby to the church and Straub was signed the 14.05.1770 the last payment the artist received the 15.05.1773. The riders fight is presented in the center of an open architecture which looks more like a a theaters stage than a highaltar. Godfather and his son are sitting on top of the architecture. The Holy Spirit in the form of a dove forms the center of a large gloriole. The sculptures of St Donatus and St Irene are standing above two passages left and right of the highaltar. Putti and heads of puttis with wings are pointing to the heroic deed of S. Georg. 1 Lippert gives this work no. 19.2

Construction / Execution

The entire altar was made in wood and has a polychrome layer with gilding and silver and coloured glazes.

Components

Carpentry
The highaltar in the former parishchurch of St Georg in Munich Bogenhausen
Completed: 1770 – 1773
Patron(s): August von Törring-Jettenbach, noble
Technique(s): sawing, wood carving
Material(s): wood
Sculpture
The highaltar in the former parishchurch of St Georg in Munich Bogenhausen
Author: Johann Baptist Straub (Wiesensteig ca. 1704 – Munich 1784)
Completed: 1770 – 1773
Patron(s): August von Törring-Jettenbach, noble
Technique(s): wood carving
Material(s): wood
Polychromy
The highaltar in the former parishchurch of St Georg in Munich Bogenhausen
Completed: 1770 – 1773
Patron(s): August von Törring-Jettenbach, noble
Technique(s): oily tempera, water gilding

Comment

Compared with the high altar of St Georg in Bichl, which was made by the same artist in 1752, the scene of the later work seems to be much less vivid.

There was a research and documentation of of the archives by Dr. Stefan Nadler and Maria Hildebrandt M.A. in 1996.

Conservation-restoration

1866

Treatment Description

Cleaning and repears of the equipment by Matthias Gebhart. Cleaning and partial overpainting. White painting layer on the pulpit.

1887

Treatment Description

Reparations of the monument and restoration inside. Responsible were the painter of Courtrooms August Schulze and the gilder Karl Reisba. Wallpapers were removed (installed in 1831/32 on the espalier-walls made by wood/oak). The confessionals, the doors and the balustrade of the organ were "brunoliert" (maseriert?) lines of gold were added. New floor panels of "Solnhofer-stone" were installed. The altars were overpainted with a marble imitation and partially overgilded. Most of the sculptures were overpainted. The pulpit was overpainted with a marble-imitation.

1940

Treatment Description

Complete renovation. Cleaning of surfaces taking off younger overpaintings to the original polychromy.

1942

Treatment Description

Storing of sculptures outside of Munich for safety reasons during wartime.

1949

Treatment Description

Provisional installation of the highaltar.

1950

Treatment Description

Complete renovation.

1969

Treatment Description

Complete restoration. Overpainting of the tabernacle and the organ in white following the monochrome white of the pulpit.

1996

Treatment Description

The sculptures were restored in the workshop of the restoration company. After fixing thepolychrome layer rests of younger overpaintings were removed. Again the original painting layer was the aim of the restoration (like . The colored glazes were reconstructed.

Images

  1. The highaltar of St Georg in the former parishchurch St Georg, Munich-Bogenhausen photo Bavarian Office of Monuments and Sites Michael Forstner 08.2017
  2. The highaltar of St Georg in the former parishchurch St Georg, Munich-Bogenhausen photo Bavarian Office of Monuments and Sites Michael Forstner 08.2017
  3. The sculpture of St Donatus at the highaltar of St Georg in the former parishchurch St Georg, Munich-Bogenhausen photo Bavarian Office of Monuments and Sites Michael Forstner 08.2017
  4. The sculpture of St Irene at the highaltar of St Georg in the former parishchurch St Georg, Munich-Bogenhausen photo Bavarian Office of Monuments and Sites Michael Forstner 08.2017

Catalogue entry prepared by Rupert Karbacher

Recommended citation: Rupert Karbacher, High Altar in the Former Parish Church of St George in Munich-Bogenhausen, in: TrArS – Tracing the Art of the Straub Family, 2018, (accessed 18/11/2025) URL

Sources and Bibliography

  1. Johann Caspar Lippert, Kurzgefaßte Nachricht von dem churbaierischen ersten Hofbildhauer Herrn Johannes Straub, in: Augsburgisches monatliches Kunstblatt. Kunstzeitung der kaiserlichen Akademie zu Augsburg, 1772, Nr. 54f
  2. Carola Giedion-Welcker, Bayrische Rokokoplastik. J. B. Straub und seine Stellung in Landschaft und Zeit, Munich, Recht, 1922
  3. Peter Steiner, Johann Baptist Straub (Münchner kunsthistorische Abhandlungen, VI), München und Zürich, Verlag Schnell & Steiner, 1974
  4. Peter Volk, Johann Baptist Straub 1704–1784, München, Hirmer Verlag, 1984

Notes

1 Peter Volk 1984 p. 200

2 Johann Caspar Lippert 1772 p. 59